Frankly Speaking: Are You Bitextual?
At one time, many book publishers printed their own books. Then they discovered that the cost of maintaining a printing enterprise was less cost-effective than buying book printing and binding from commercial printers. Over the decades, they dabbled in (photo) typesetting and desktop publishing, and enlisted legions of part-time workers. At some moment in time, most books in production in New York City are on the subway, as industry freelancers carry manuscripts and artwork back and forth.
In 1982, I authored a report on on-demand printing, and only two printing companies (and no publishers) took any interest. There was more interest in the abortive Cameron Belt Press than in anything digital. Yet, copiers had already established a niche. The University of Vermont was using the Copyright Clearance Center for authorization and an original Kodak Ektaprint for on-demand books. McGraw-Hill partnered with R.R. Donnelley to produce custom textbooks. The concept of the modular book evolved.
It took Lightning Source and Amazon to change the book production calculus. Digital printing came of age, and it was the perfect match for that universal distribution channel called the Internet. Throw in e-books, and you give book publishers a major tummy ache.
The dream of every publisher (and author) is the long run in a world that is tending to shorter and shorter runs. It is already apparent that the book world will consist of a handful of super long runs, lots of long runs, many short runs and a plethora of one-offs. We will print more titles, but fewer copies because of on-demand printing.
Those long runs will stay on offset presses, but we will not need as many presses to print them. All other books will be printed digitally, half on roll-fed printers and half on sheetfed printers. The sheetfed printers will use toner (some call them "laser" printers), and the roll-fed printers will use ink-jet.
The HP T-300 ink-jet roll-fed printer/press prints on a roll of paper 30 inches wide. Major printers have already acquired this device. The Screen Truepress Jet roll-fed ink-jet printer is currently sold by Screen, Ricoh and InfoPrint. It has already established a base in on-demand book work, as well as in academic support materials like teachers' aides. Kodak will shortly release the Prosper ink-jet printer/press with offset-class color quality. We expect even more models to come along soon.
They will all continue to bring down the cost of book production and allow even more books to be printed on-demand. Over time, almost every backlist title will go on-demand. And the majority of the books ordered online will be printed on-demand.
At the same time, e-books are finally gaining traction. Remember when Stephen King's "Riding the Bullet" (published as an e-book) began a new era in book publishing? No one can predict the book-buying public's preference. This must drive publishers crazy. I may want an e-book when traveling, but then would still like to own the printed version in my library. Yes, Virginia, people will still have libraries of books they can open without a machine.
It is fair to say that the industry finally has embraced on-demand printing—to a point. We still need to store and transport the longer-run books. My feeling is that many publishers have difficulty dealing with all these formats (offset, digital, e-book) at one time. They will just have to be more bitextual.
In fact, the entire marketplace will have to deal with new book formats and new book distribution. I may visit my local bookstore only to order the book on the store's computer for shipment to the store or my home. Perhaps, instead, I will download an e-book. Or I may even wait for the store to print and bind the book right then and there.
We will still make books far into the future … in many ways.
Frank Romano is professor emeritus at RIT School of Print Media and the author of 45 books.
Frank Romano is Professor Emeritus at RIT School of Media Sciences.