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Digital Directions : The Google Settlement

Glimpses of the new world order.

March 2009 By Andrew Brenneman
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It has been several months since Google’s preliminary out-of-court settlement with the Association of American Publishers (AAP) and the Authors Guild regarding Google Book Search, and the dust has yet to settle. The agreement’s true impact will only become apparent over time, as its terms are put into practice. The devil will be in the details of execution. This is a watershed event nonetheless and marks the beginning of a new era in content distribution. A few themes have emerged that will characterize this next phase.

A Scalable Framework
The settlement allows Google to digitize books in libraries in toto, without prior clearance, and enable the discovery of books on the Web by making books’ content accessible to search. This is a good thing: Discovery is the first step in distributing and selling a book. In the Book Search program, a rights holder has the ability to opt out and remove his works from
the program.

In a statement announcing the settlement, AAP Chairman Richard Sarnoff referred to the agreement as “an innovative framework for the use of copyrighted material in a rapidly digitizing world.” One area of such innovation is the scalable nature of this approach to digital content distribution.

Prior to this settlement, in order for a book to be discovered and delivered digitally, a publisher would have to include the specific title in a specific digital distribution program with a specific distributor or digital channel partner. This is a pretty slow way to go.

Assuming the rights holder does not opt out, the books and all of their contents will be swept up into the gaping maw of the program, and—if all goes as planned—distribution and revenue opportunities will flow appropriately. This framework will cause rivers of printed content to flow into the digital sea.

The overarching value of Google’s technology and its information services is in their ability to scale. Google successfully has presented a framework for content to move into digital channels at massive scale.

The MO of the ‘Big G’
Why, then, the Sturm und Drang? Perhaps the outrage from publishers stems not just from Google’s programs and actions, but from the style with which these actions are executed.

In 2006, Google’s practice of copying the contents of Web sites it indexed onto Google’s servers and directly delivering this content via Google’s “cache” was contested in an oft-cited U.S. District Court case, Field v. Google. Google’s defense maintained that it had the right to cache Web site contents, and further, attorney and author Blake Field had the option to opt out of having his content cached in this way.

 
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COMMENTS

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Most Recent Comments:
Walt Shiel - Posted on April 24, 2009
Here's a difference between Fields and AAP/Author's Guild: Google is digitizing books that were NEVER posted online anywhere! Thus, no implied consent to copy.

Besides, acceptance of Google's flagrant copyright violation (by doing it without asking permission) drives one more nail in the coffin of copyright protection. Any such uses should require a prior opt-in, not an after-the-fact opt-out.

Google just figures they're too damn big for anyone to challenge them...and win.

What's chilling is that they may be right.

Our micro-publishing company has opted out of this nasty settlement. Not that I have any illusions that doing so will stop Google from doing whatever they want to do anyway. That's been their approach to copyright from the beginning.
Bill Rosenblatt - Posted on April 03, 2009
Who told you that Google's copyright filtering technology is "ever-effective?"

No. It isn't. Media companies spend millions of dollars a year playing whack-a-mole with YouTube and other UCG sites. They rely on finding their content posted online and issuing takedown notices, with which YouTube and others comply. The crux of Viacom's litigation is whether YouTube is doing its legal duty in simply responding to takedown notices or whether it must take further or more proactive steps.

The Google settlement with publishers is another matter entirely - it's true opt-out, before the content is made available online. Not the same thing at all.
Click here to view archived comments...
Archived Comments:
Walt Shiel - Posted on April 24, 2009
Here's a difference between Fields and AAP/Author's Guild: Google is digitizing books that were NEVER posted online anywhere! Thus, no implied consent to copy.

Besides, acceptance of Google's flagrant copyright violation (by doing it without asking permission) drives one more nail in the coffin of copyright protection. Any such uses should require a prior opt-in, not an after-the-fact opt-out.

Google just figures they're too damn big for anyone to challenge them...and win.

What's chilling is that they may be right.

Our micro-publishing company has opted out of this nasty settlement. Not that I have any illusions that doing so will stop Google from doing whatever they want to do anyway. That's been their approach to copyright from the beginning.
Bill Rosenblatt - Posted on April 03, 2009
Who told you that Google's copyright filtering technology is "ever-effective?"

No. It isn't. Media companies spend millions of dollars a year playing whack-a-mole with YouTube and other UCG sites. They rely on finding their content posted online and issuing takedown notices, with which YouTube and others comply. The crux of Viacom's litigation is whether YouTube is doing its legal duty in simply responding to takedown notices or whether it must take further or more proactive steps.

The Google settlement with publishers is another matter entirely - it's true opt-out, before the content is made available online. Not the same thing at all.