PHILADELPHIA—August 14, 2015—Printing Impressions has announced the winners of the 2015 Gold Ink Awards. This year’s Gold Ink Award winners were chosen from more than 1,000 entries submitted within 50 categories, including: Books Magazines Commercial Printing Packaging Direct Mail Catalogs Calendars Posters Scientific & Technical Journals And many more! Click here to view the complete…
Join Naomi Baron, Professor of Linguistics at American University as she gives an overview of the e-book market.
Remember paper? Memos to sign. Maps to fold. Letters to write. Calendars to flip. Wistful paper executives remember. They’ve watched e-mail, annotatable PDFs, digital calendars and paperless billing diminish more than a third of the copy- and writing-paper business in recent years, spurring mill closures and eliminating hundreds of thousands of jobs. But now paper…
It seems the love affair between hard-copy books and the reading public wasn't worth the paper it was printed on. Hence, the tendency to curl up next to the fireplace with a good e-reader is becoming more and more commonplace.
Digital books have certainly made their mark on the trade publishing side. According to BookStats 2013, which is co-produced by the Association of American Publishers and the Book Industry Study Group, e-books-driven by adult fiction and children's/young adult-have grown 45 percent since 2011 and now constitute 20 percent of the trade market.
The American Forest & Paper Association (AF&PA) presented Edwards Brothers Malloy with its 2013 Business Leadership Award, which recognizes outstanding paper recycling programs. The award was presented to John Edwards, President and CEO, and Bill Upton, Vice President of Operations, at the Book Manufacturers’ Institute Spring Management Conference in Hilton Head, South Carolina on April 29th.
The Guild (formerly called The Bookbinders’ Guild of New York) was formed in 1925 by a group of 35 craftsmen who met to discuss significant developments in bookmaking. Today we are a volunteer organization with membership of more than 500, from the ranks of all type of publishing staff, vendors and freelancers. We sponsor educational trips, hold monthly informational programs and help to raise money for the Literacy Assistance Center. In 20 years we’re very proud to have raised over $320,000 for the LAC.
Last week was our biggest annual event—the 27th annual New York Book Show. Each year entries are submitted from around the country for books published in the last year. Entries include either covers/jackets or complete books, and are separated into categories. Just within “Children’s Trade” we have “picture book”, “young adult”, “pop-up”, “covers and jackets”, etc. Judges who are expert in specific areas volunteer their time and expertise.
Then in the Spring we show off the winners and have a big celebration.
With almost 10-million copies already sold and still a bestseller 12 years after it was first released, Yann Martel’s Life of Pi is the definitive opposite of a rare book. But there is a new edition of 350 signed copies currently housed in the office of a Vancouver environmental group that collectors will surely notice. That’s because the entire edition is printed on paper made in part from agricultural waste.
Martel enthusiastically joined fellow author Alice Munro, who signed 50 waste-based copies of Dear Life in the same cause: saving forests…
A book with pages the size of the eye of a needle has been printed in Japan, the publishing company said Wednesday, with each tiny page showing a microscopic flower. The publisher, Toppan Printing, also said the 0.75 millimeter (0.03 inch) pages were impossible to read with the naked eye.
The company, which prints everything from business cards to a laminated packaging material using biomass polyethylene film, has been making micro books since 1964.
Toppan said it would be applying to Guinness World Records to claim the title of world's smallest book, currently held by a 0.9 mm volume published in Russia.
A new report by the Book Industry Environmental Council (BIEC) and Green Press Initiative indicates that the U.S. book industry has continued to make progress towards reducing the environmental impacts of books including impacts on forests and climate change. Among the most notable findings was that paper producers who supply book papers reported using an average of 24% recycled fiber, almost a fivefold increase from 2004 when they were believed to be using around 5% recycled fiber.
The six major annual book design shows listed above continue to anchor our industry in its traditions of craft, even though painfully unadorned ebooks and cluttered multimedia platforms proceed apace, charting their own course. Whatever the wide range of book show presenting criteria, as shown in the survey that follows, ultimately the purpose of book design is to enhance the readability and message of the book itself.
Print will survive and thrive in those areas where it continues to fulfill that purpose. Where digital media prevail, irrepressible design aspirations will soon follow.
While some shows are beginning to provide digital edition categories (mostly fixed format and multi-media), print editions continue to be foundational platforms for book design and organization — at least for the time being. Leading edge designers are exploring ways to bring design criteria into the reflowable formats.