Forbes

50 Top Women in Book Publishing
May 1, 2009

From multimillion-dollar acquisitions to multimillion-dollar best-sellers, powerful women stand at every pivotal, decision-making point in the book publishing process. Book Business’ first annual “50 Top Women in Book Publishing” feature recognizes and honors some of these industry leaders who affect and transform how publishing companies do business, and what—and how—consumers read.

E-commerce-Solution Shopping Made Easy
June 1, 2006

Last year, retail e-commerce totaled $88 billion, or 2.4 percent of total U.S. retail sales, according to the U.S. Department of Commerce. In the first quarter of this year, U.S. retail e-sales hit $25 billion—2.7 percent of total retail sales for the quarter ($906 billion). And based on the average annual growth rate (in the mid 20-percent range) of the last few years, 2006’s year-end e-commerce totals are likely to top $110 billion. Book publishers in almost every market have launched e-commerce sites to tap the growing potential in e-sales. Major publishers such as Scholastic (ShopScholastic.com), Random House (RandomHouse.com), McGraw-Hill (Books.McGraw-Hill.com), Penguin Group

Ingram and O'Reilly Media Sign Publisher Services Agreement
March 16, 2005

LA VERGNE, Tenn. - Ingram Publisher Services Inc., a subsidiary of Ingram Book Group Inc. that specializes in providing distribution services to publishers, and O'Reilly Media Inc., an independent publisher of computer books, today announced they have entered into an exclusive distribution agreement to begin September 2005. Under the new agreement Ingram will be the exclusive distributor of O'Reilly books, handling retail customer service, order-entry and fulfillment. "Our partnership with Ingram allows us to give our current customers better, faster service," said Laura Baldwin, O'Reilly's CFO/COO. "Plus, they offer the services we need to expand our international business, as well as grow our account base in

Antarctica Bound
October 1, 2003

With an emphasis on computerized design and workflow; increased use of digital, on-demand and cross-media output; and populist—indeed, personal editorial standards, modern book publishing bears little resemblance to the craft practiced a generation ago. Some in the industry worry that the joined-at-the-hip crafts of publishing and printing are epochs approaching an end. In the future, anyone with an Internet connection and digital cash will be able to publish a nice looking (and, hopefully, nice reading) hardbound, softbound, or e-book. One, some, or all three. Readers will buy them online, for an e-pittance, in numbers unthinkable today, along with the classics, pop titles, textbooks,

Kids Today
January 1, 2002

With his slight build, round rims and British accent, Harry Potter, the international star of the children's literati, has already inspired comparisons to beloved book characters including The Little Prince and Mathilda. Magical and quirky, the Potter series is reputed to be among the bestselling publishing cross-over hits ever with 55 million prints and counting in circulation in the U.S. alone. But what sets Potter apart from the pack is not so much the creativity of J.K. Rowling, but rather, the bite that the traditional print book series takes out of the multi-media world: toys, gadgets and a Hollywood movie replete with special effects