HarperCollins

Avon Launches New E-book Technology
September 7, 2007

Avon Books, an imprint of HarperCollins, has introduced a new e-book featuring embedded video starring the book’s author. “Lady Amelia’s Secret Lover,” a historical romance novel by Victoria Alexander, was made available for purchase Tuesday for $3.99 through the HarperCollins Web site (www.harpercollins.com/ladyamelia). According to the publisher, this is the first published e-book to include video. As readers navigate through the e-book, Alexander pops up onscreen at various points to discuss plot points and characters. “Through Avon’s many successful online initiatives, we’ve learned that romance readers want to foster a relationship with their favorite authors,” says Liate Stehlik, publisher, Avon Books. “The publication

Weinstein’s Wisdom
September 1, 2007

By Jim Calder Michael Weinstein’s 31-year work history reads like a list of top publishing companies: Macmillan, Pitman Publishing, Addison Wesley, Random House, McGraw-Hill, HarperCollins and Pearson Education, among others. Currently, Weinstein is vice president, EDP (editing, design and production) and manufacturing, at Oxford University Press. After decades working at some of the most notable companies in the industry and after many professional accomplishments, Weinstein’s career achievements now are being recognized. Weinstein is being inducted into the Publishing Executive Hall of Fame, an honor bestowed on the leading publishing executives in book, magazine and advertising production. And, he is only the second executive

Exercising Your Rights
September 1, 2007

Publishers of all sizes have to manage detailed and vital information about the rights they own, the rights they have sold, and the royalties they either owe or are owed. It can be a significant accounting undertaking. Especially with the burgeoning digital marketplace, book publishers are increasingly redistributing their content in any number of ways and thus, generating additional revenue––as well as the need to manage additional rights and royalties. Fortunately, there are a number of solutions on the market today, from services that help publishers license their content to those that help automate the tracking and payments process to save time and

HarperCollins Launching iPhone Platform
August 17, 2007

HarperCollins Publishers has announced that it is making digital content available for the iPhone platform. The pilot program will allow users to sample from 14 new HarperCollins titles, available online, in an iPhone-compatible format via the HarperCollins Browse Inside application. Browse Inside allows consumers to view pages of HarperCollins titles online. LibreDigital—a division of NewsStand Inc., and strategic partner in the development of HarperCollins’ global digital warehouse and its online application—has adapted Browse Inside for the iPhone platform. iPhone users will be able to view the first 10 pages of chapters one and two of 14 books, with the option to click to

Beaufort Books to Publish “If I Did It”
August 17, 2007

New York-based Beautfort Books, founded in 1980, has finalized a deal with the Goldman family to publish “If I Did It,” the O.J. Simpson title that HarperCollins previously rejected. In late 2006, HarperCollins canceled plans to publish the title and destroyed 400,000 copies of it, after a public outcry against the planned publishing. “The team at Beaufort Books will be working closely with the Goldman family to bring this book to the attention of the American public,” says Eric Kampmann, president of Beaufort Books. “We will be working diligently, to not only publish this book well, but to honor the memory of the

Distribution Goes Digital
August 1, 2007

“We are leading the pack by building a digital warehouse, which is the digital equivalent of our print warehouse,” commented Jane Friedman, president and CEO of HarperCollins Publishers, in the May issue of Book Business. This is the ultimate sign-off on the industry’s embrace of the future, and its take-back of content control from trailblazers such as Google, Amazon and Yahoo. For some years now, various technology vendors have enabled publishers to deliver electronically formatted versions of their titles for special purposes. These have included applications such as conversions to XML formats (e.g., Publishing Dimensions), proprietary e-book reader formats (Mobipocket), sight-impaired applications (National

Webcasts: A Hot Marketing Tool
August 1, 2007

The June release of British writer Ian McEwan’s “On Chesil Beach” was accompanied by screenings of a 28-minute film profiling the author at dozens of bookstores in the United States. According to producer Powell’s Books, the film aimed to go beyond the traditional author reading to inspire “spirited discussion about great new books and their impact on readers’ lives.” This was, perhaps, an innovative and effective tool for promoting McEwan. But if proponents of the emerging tool of webcasting are proven right, the logistical challenges accompanying such an operation (and those inherent in luring a finite set of audience members to bookstores to watch

Building a Core Audience: The MySpace Payoff
June 15, 2007

As a writer, I have been a member of MySpace.com for several years and have been taking advantage of the social networking opportunities that exist. When I joined, the site had around 70 million members; today it has surpassed 183.7 million members. Many in publishing are realizing the value of making a connection via social networking. At this year’s Book Expo America, authors and publishing executives shared social networking tips at a session titled “MySpace for Authors and Publishers: Everything You Need to Know to Make it Payoff.” The panel included Richard Nash, publisher of Soft Skull Press; Barry Lyga, author; Josh Kilmer-Purcell, author;

Breaking From Tradition
June 1, 2007

As CEO and president of iUniverse, Susan Driscoll has helped the pay-to-be-published online publisher to become an attractive alternative to the sort of traditional publishing houses at which she once held executive-level positions, including HarperCollins, Henry Holt and Holtzbrinck Publishers. An affordable avenue for aspiring authors seeking to get published, iUniverse has become one of the largest self-publishing companies since its launch in 1999. Driscoll, who co-penned the book “Get Published” last year, not only is the top executive at the company, but also a mentor to iUniverse’s roster of authors. Where do you see book publishing heading in the next five to 10 years?

Exclusive Interview: Jane Friedman, President and CEO of HarperCollins Publishers, Offers Insights On Motivation, Mentors and More
May 4, 2007

Jane Friedman, president and CEO of HarperCollins Publishers has been a driving force behind the creation of multi-media pronged author tours, Publishing Plus and more. Friedman has a 39-year career in publishing and is considered a mentor by many in the industry. Book Business Extra spoke with her in this exclusive interview. She shares insights behind her career accomplishments, motivation and advice to others. EXTRA: You are credited with creating the author tour in 1970 as a publicist who took cook and author Julia Child around to different store locations promoting her book. Can you explain the experience for our readers? FRIEDMAN: I actually