On Monday afternoon, the Pulitzer Prize Board will announce the winner of the 2013 Pulitzer Prize for fiction. Or not. Last year, for the first time in 35 years, there was no prize awarded for fiction. Imagine Bono walking on stage to award the Grammy for Album of the Year and announcing that there wouldn't be an award for Album of the Year. It was like that. The snub earned the Pulitzer Prizes more publicity -- and not the good kind -- than the actual awards …
Open Road Integrated Media, a digital publisher and multimedia content company, announced today that it is continuing to add experienced and highly respected publishing executives and editors to its team. Nita Taublib, former executive Vice President, Publisher, and Editor in Chief of Bantam Dell, will serve as Strategic Advisor for Romance, spearheading Open Road's acquisition and publishing of backlist romance titles for its Author Brand Program.
(Press Release) Ann Arbor, Mich., April 20, 2010—Above the Treeline is pleased to announce that Macmillan has selected Edelweiss, Above the Treeline's interactive publisher catalog system, to publish selected frontlist catalogs on the web. Macmillan will pilot a number of key imprints for the fall 2010 selling season with an eye toward expanding to additional imprints in 2011. With the addition of Macmillan's frontlist titles, Edelweiss' web-based publisher catalogs will encompass more than 50,000 titles across 750 imprints from over 27 publishers.
Stephen Rubin has been named president and publisher of Macmillan-owned Henry Holt and Co., according to an Associated Press (AP) report. Rubin, who resigned last month from Random House Inc., will begin his new position Nov. 2.
Earlier this year, Richard Rhorer, marketing director at Henry Holt and Company, chose the online social-networking site MeetUp.com—on which visitors meet around a shared interest, first online and then in person—to help better connect the publisher with its readers. To help spread the word about an upcoming release, “What Was Lost,” he used the online tool to invite Web-savvy book lovers to come together at a Manhattan bar with the book’s author, Catherine O’Flynn. Attendees were mailed galleys of the book ahead of time, and about 50 people showed up for the event. “Getting 50 people to attend an event for an unknown author
As CEO and president of iUniverse, Susan Driscoll has helped the pay-to-be-published online publisher to become an attractive alternative to the sort of traditional publishing houses at which she once held executive-level positions, including HarperCollins, Henry Holt and Holtzbrinck Publishers. An affordable avenue for aspiring authors seeking to get published, iUniverse has become one of the largest self-publishing companies since its launch in 1999. Driscoll, who co-penned the book “Get Published” last year, not only is the top executive at the company, but also a mentor to iUniverse’s roster of authors. Where do you see book publishing heading in the next five to 10 years?
CTP Veterans Share Tips For Publishers Taking Their First Steps By Tatyana Sinioukov So what's a publisher to do when considering going CTP with four-color work? Do your homework, first and foremost, insists Rick Wills, electronic prepress manager, Banta Book Group, Menasha, WI. Tom Carpenter, director of book development for the North American Outdoor Group (NAOG), Minnetonka, MN, agrees, suggesting visiting a publisher who is already using CTP as a first step. "We all know people at other publishing companies, and the technology isn't proprietary--I can't see where anyone would have a problem showing you what goes on, as a professional courtesy," he muses. "You can't understand
When it comes to computer-to-plate printing, more printers and publishers join the ranks of the believers every day, either experimenting with CTP with their four-color jobs, or switching to it by Tatyana Sinioukov Despite some limitations, as discussed by industry professionals below, CTP for four-color book production saves time and money and offers faster turnaround and higher quality than a conventional, film-based workflow. That's why more and more printers and publishers join the ranks of the believers every day, either experimenting with CTP with their four-color jobs, or switching to it completely. According to Frank Ervin, vice president of training and technology at