Amazon.com has reached an agreement to acquire AbeBooks, an online marketplace for used, rare and out-of-print books. The Victoria, British Columbia-based AbeBooks will continue to function as a stand-alone operation and maintain its Web sites.

“As a leader in rare and hard-to-find books, AbeBooks brings added breadth and expanded selection to our customers worldwide,” says Russell Grandinetti, vice president of books for Amazon.com. “AbeBooks provides a wide range of services to both sellers and customers, and we look forward to working with them to further grow their business. We’re excited to present all of our customers with the widest selection of books available any place on Earth.”

“This deal brings together booksellers and book lovers from around the world, and offers both types of customers a great experience,” says AbeBooks CEO Hannes Blum. “We are very excited to be joining the Amazon family.”

The acquisition is subject to customary closing conditions, including regulatory approvals, and is expected to close before the end of the fourth quarter of 2008.

Audible Inc. and the New York Center for Independent Publishing (CIP) have announced a new imprint, Audible IndieFirst. The imprint will publish original works from independent publishers in digital audio format one month prior to the release of the print edition.

Audible and CIP previously issued a call for manuscripts from independent publishers, asking them to identify their best and most promising upcoming titles for consideration in the Audible IndieFirst program. From the submissions, Audible has selected a number of upcoming titles to publish in audio, the first of which is Joe Meno’s “Demons in the Spring,” published by Akashic Books. All audiobooks will be available at Audible.com and iTunes.

“We want to bring the tremendous quality of independently published titles, which generally aren’t produced in audio, to the hundreds of thousands of people who experience literature through listening,” says Beth Anderson, executive vice president and publisher, Audible Inc. “We believe the program will not only expand the depth of choice for consumers of audiobooks, but also introduce book lovers to new and emerging writers.”

Edwards Brother Inc., a book and journal manufacturing firm specializing in medium, short and ultra-short runs, has received chain-of-custody certification from the Forest Stewardship Council (FSC) for both its Ann Arbor, Mich. and Lillington, N.C. facilities.

FSC certification verifies the source of papers utilized in manufacturing and tracks these certified products throughout the inventory and distribution process. To become certified, companies work with accredited, independent certification agents who evaluate both forest-management activities and chain-of-custody tracking of materials passing through mills, manufacturers and distributors.

“This new certification is part of a larger, ongoing effort at Edwards Brothers to be responsible corporate citizens and to better serve our customers, who are increasingly looking for environmentally sound alternatives,” says President and CEO John Edwards. “FSC certification is another step in our total program to balance cost-effective manufacturing processes while preserving our natural resources. At Edwards Brothers, accountability is sustainability.”

According to the company, it is also in the process of securing Sustainable Forestry Initiative (SFI) certification; that certification should be complete within two months.

“We’ve actually been an active recycler for over 50 years,” adds Edwards. “Nearly all materials entering our plants leave as finished books; virtually all of the rest is recycled. Our goal is to have less than one percent going to landfills, and we’re nearly there. These certifications, combined with our ongoing company-wide conservation and recycling initiative, demonstrate Edwards Brothers’ long-term commitment to the environment.”

Nyack, N.Y.-based Flat World Knowledge, which launched this month, publishes free and open college textbooks online, with the option to purchase alternate formats of its content, including print and audio, and other study aids. While offering university-level course material gratis on the Web is not a newfangled idea in the higher-education realm, there are big differences from previous efforts—there’s no advertising within the text pages, nor is there a trial period with hidden fees. There isn’t even any registration required for users.

Flat World Knowledge is a publishing company, not an aggregator of other publishers’ titles, says Eric Frank, co-founder and chief marketing officer. “[Students and faculty] have been looking for a solution [to expensive textbooks],” Frank says. “They’re excited to see something viable.”

Frank has 11 years of experience in higher-education publishing, holding positions in sales, editorial and marketing at Thomson (now Cengage Learning) and Prentice Hall. His partner, Co-founder and CEO Jeff Shelstad, has a 20-year career in higher-ed publishing and most recently served as editorial director at Prentice Hall Business Publishing.

Frank recently spoke with Book Business Extra about his and Shelstad’s new venture.

Book Business Extra: What are the problems with traditional forms of textbook publishing?

Eric Frank: … I definitely don’t think there’s greed or malice in this market. I think there’s a business that has had its distribution and model disrupted by a combination of rising prices—beyond what students [are] content to pay—coupled with the distribution of … lower-priced alternatives [via the Internet]. … Their investment is going down. They’re trying to create a high-quality product; they’re trying to preserve revenue. It’s very difficult for them to turn the corner and say, “We have to do something new rather than make short-term fixes,” [such as] raise prices on books … and [publish] new editions. … I understand why you turn to those things. The bigger question is, what models … will publishers turn to to invest and get a fair return?

Extra: How do you turn an idea like Flat World Knowledge into a viable business?

Frank: … An idea, if executed well, will lead to customer satisfaction, for students and for authors. Execution is everything. We started with three fundamental premises. We need to get great authors to write textbooks. There’s a difference between good and great. We have to convince a faculty member to change to a Flat World book from their current textbook, not out of a utopian idea, but because there’s value. … Then, we ultimately have to get a student who’s in that faculty member’s class … to open their wallet to buy the textbook [in print] that is available online for free. We definitely utilized connections to authors that we have had over the years to get conversations going. We’ve had an increase in people reaching out to us. They said, “We’ve been dissatisfied with the model. What you guys are doing seems to have an economic good and a social good. I’m attracted to that.” We have to sell authors on a new vision of publishing.

Extra: What makes Flat World Knowledge’s approach different?

Frank: I think, at the end of the day, that Jeff and I both believe that we are offering something we really believe in. … There’s no sliver bullet …. There’s nothing really magical about it. It’s really hard to execute on. It requires the ability [to sell] a vision to people in an air of uncertainty. But if you believe in your ability to sell, you can convince people to take a risk with you …. Jeff and I came at this with a high level of confidence [in ours] careers [in textbook publishing] … that we can apply our talents in a good way.

Extra: What potential challenges do you face by offering open textbooks?

Frank: … Part of us being open is to have openly licensed content to enable a faculty member to adopt our book for their class and to modify our book for it. It’s not a wiki-style model. We feel this takes into consideration that this is material that is being taught. … We have a vision that great authors … write a book from the beginning to end. We tell the professors that they can modify this for [their] own course to fit [into their] course better.

Extra: What other challenges do you expect to face?

Frank: … We figure there are some slackers who won’t pay for anything. We figure there are [also] the A-types—complete overachievers—who say, “I’m going to buy everything I need to and everything in between.” As we started talking to lots of students in-depth about whether we were right or wrong, we were validated that students—who ran a wide range—said that [they] would pay something for convenience. We did a study using Facebook. We went to 2,000 students to get them to look at this model and asked them, “What would you buy?” It absolutely validated … what we believe. Students will buy and will buy in sufficient dollars for us to be profitable. If they like the idea of a print book, and a majority still do, we can make a black-and-white available for $50 or $60, shipped directly to them. If they want an audiobook, we’ll give them an audiobook. … At the end of the day, if the price is right, they’ll buy. We sell a whole range of digital study aids, podcasts and study guides. We charge for those things. … We’re going to put as much care and thought as we would at McGraw Hill, but we’ll let the model do some heavy lifting.

The deadline for speaker submissions for the 2009 Publishing Business Conference and Expo has been extended until Friday, August 22. The 2009 Publishing Business Conference, produced by Publishing Executive and Book Business magazines, is March 23-25 at the New York Marriott Marquis Times Square.

We are looking for qualified speakers to share their expertise on a wide range of business management, technology, marketing, distribution, manufacturing, production, and other issues related to magazine and book publishing. All submissions must be sent to Matt Steinmetz, conference program editor, at MSteinmetz@NAPCO.com by Friday, August 22.

As the vast majority of our speakers each year are magazine and book publishing executives, we are particularly interested in professionals currently working at publishing companies. If you’re a vendor who serves these markets, we ask that you include a publishing client as a co-speaker in any speaker proposal.

Please note that all speakers selected to present are entitled to complimentary full conference registrations.

The Publishing Business Expo features the largest show floor of magazine and book publishing solutions and services. To learn more about exhibiting or other sponsorship programs, please contact Mike Cooper at MCooper@NAPCO.com, or call (215) 238-5434.

Don’t miss this opportunity to be a part of this landmark conference at a critical time in the publishing industry, and to attend the event for free (an $845 value).