Laura Miller

There she goes again. Salon’s Laura Miller has penned the latest in a series of tirades against Amazon, this one summing up the squabble thus far and taking issue with Amazon’s quotation of Orwell’s discussion of paperbacks in its “Readers United” letter explaining that lower prices were good for everyone. We’ve already discussed Miller’s biases […]

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And there goes Salon again with another ridiculous Amazon hit piece, this time with Laura Miller (she who’s Sworn Off Amazon And She Really Means It This Time) proclaiming that, if they know what’s good for them, self-published authors really should be cheering for Hachette rather than Amazon—because as long as the big publishers keep […]

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Well, all right, that’s not a literal quote, but it might as well be. Salon has never made any pretense of its anti-Amazon leanings (as we saw recently with Laura Miller’s piece claiming she was swearing off Amazon), but lately it seems to have gone a little round the bend. Over the last couple of […]

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Salon has been the venue for plenty of gratuitous Amazon-bashing in the past. And the latest contribution is from senior Salon writer Laura Miller, who headlines her piece “Goodbye, Amazon: We’re through!” and adds, “I quit Amazon because of its monopolistic tactics. Is it impossible for book publishers to do the same?” “I used to […]

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Here’s an excellent essay anatomizing my hostility towards the adolescent excesses of science fiction – and most other forms of literary genre prejudice whatsoever. Writing in Salon under the title “Is the literary world elitist?,” Laura Miller states – in an article that itself is a round-robin response to Eleanor Catton’s own piece on literary [...]

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Authors Karen Russell and Donald Antrim are among announced Wednesday morning (though the news leaked on Tuesday evening). The $625,000 grants from the John D. and Catherine T. MacArthur Foundation are awarded annually, with no strings attached, to "talented individuals who have shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction." The foundation that Antrim's "fiction and nonfiction are marked by a contrast between elegant, concise language and the disorienting chaos in which his characters find themselves. 

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