Ranjit Singh

The concept of offshoring—the practice of sourcing manufacturing or content management services overseas—is no stranger to the book publishing industry. Complex four-color work has long been sent to countries such as Italy and Japan, where the labor-intensive processes of producing art books (hand-stripping, contacting and working with film) were more cost-effective. Today, the same advances in technology that have had such a profound effect on publishing in general over the last 20 years—digital prepress work, real-time tracking of projects through the supply chain and instantaneous sending of digital files, among others—have opened the door to a true global sourcing revolution. “With Mac, Pagemaker,

No region in the world is safe from piracy. That's the conclusion of Patricia Judd, executive director of international copyright enforcement and trade policy at the Association of American Publishers (AAP) in Washington, D.C. "Piracy is a worldwide phenomenon," Judd says. The AAP estimates losses to its members of more than $600 million a year in about 67 markets across the globe. As more book publishers explore their offshore book manufacturing options, foreign book manufacturers are boosting efforts to lure American publishers. It's all in the name of lowering costs. But does this offshore manufacturing activity put publishers at an increased risk of