Fast

Book manufacturers and publishers used to squeeze each other to cut costs at the other's expense. Now they are cutting costs together in partnerships of convenience. Welcome to 2004. It's like 2003, only the recession's grip has lessened. Production managers continue to shave a penny here, save a dollar there, while keeping up hope that the vaunted recovery will hit their employer's slice of the book publishing industry soon. Meanwhile, large retail and bookstore chains are returning books by the truckload, according to industry regulars. This dilutes revenues and increases costs for the publishers, leaving them with diminished cash flow and pinched

Rich Gold modestly takes the podium at BookTech West. His keynote task is challenging. The mission? To talk about reading. With this crowd of book publishers and manufacturers, it may have seemed a little like preaching to the converted. Gold is the director of the artists-in-residence program, RED (Research in Experimental Docu-ments) for Xerox PARC (Palo Alto Research Center), and three years ago, he was asked to choose a research project topic and enact a technological revolution around it. Gold chose reading. Rich in meaning Gold recalls that when he unveiled his chosen quest, his colleagues were a little underwhelmed. A few sarcastically asked,

by Tatyana Sinioukov University of California Press book producers achieve success by attending to the nuances of design and production Since its inception in 1893, University of California Press, Berkeley, CA, has become one of the largest university publishers in the nation, earning recognition for its diverse titles and creative approach to book design. Originally established to distribute the faculty research papers by exchanging them, for free, for papers from other universities, the University of California Press today serves as the university's non- profit publishing arm, creating titles from special editions of the classics to fine art books to historical studies to volumes of