Jacques Derrida

You've heard it before: music criticism as we know it is dying, replaced witheditorial positions at Apple or lifestyle reporters masquerading as music journalists. But in one tiny corner of the publishing industry, at least one form of writing about music is surviving -- even thriving. For over a decade, Bloomsbury Publishing's 33 1/3 book series has been breathing life back into liner notes with 160-page, 4x6-in. treatises on an eclectic spectrum of 104 albums, from a nuanced account of recording Neil Young's Harvest to John Darnielle of theMountain Goats' novella about Black Sabbath's Master of Reality

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