Ecological Fibers Inc.
The old adage, “Don’t judge a book by its cover,” may be sage advice, but the publishing community knows better—that it is an intriguing cover that catches the potential reader’s eye. Indeed, a title’s cover is its most valuable marketing tool—an integral part of the publisher’s and author’s brand. So it makes sense that great thought typically goes into a book’s cover design and production. So was the experience for Walter T. Shaw, a first-time author whose nonfiction book, “A License to Steal,” is being published this year by Omega Publishing Group and manufactured by HCI’s print services division in Deerfield Beach, Fla. The
Choosing a cover-material supplier or deciding to switch to a new provider can seem like a game that we don’t know how to play. Knowing what materials are available and which would work best for the look and feel you are trying to achieve for your next book project can be tricky ... and even risky. A bad decision can break a book—after all, aren’t books judged by their covers? Fortunately, representatives at most cover-material companies are available to walk you through the process helping you discover what qualities and features are most important for your needs. “So many questions have to be
The New York Book Show, which awards quality in the design, graphics, production, printing and binding of books, is considered by many people in the industry to be one of the most prestigious events on the annual book-publishing calendar. The Bookbinders’ Guild of New York staged the annual event—which is celebrating its 20th year—March 20th at Café St. Barts on Park Avenue in New York City, and this year, unlike the previous few, it didn’t even snow. A great white tent covering the outdoor terrace, which serves as an outdoor cafe when the weather is warmer, greeted those who attended the show. On