Andrea Fleck-Nisbet

Dan Eldridge is a journalist and guidebook author based in Philadelphia's historic Old City district, where he and his partner own and operate Kaya Aerial Yoga, the city's only aerial yoga studio. A longtime cultural reporter, Eldridge also writes about small business and entrepreneurship, travel, and the publishing industry. Follow him on Twitter at @YoungPioneers.

We're pounding the hard concrete floors of the Javits Center today — it's day 1 of our Book Expo coverage, as we juggle sessions at two compelling events packed with content: IDPF Digital Book 2013 and Publishers Launch. My colleague Lynn Rosen and I have each gathered snippets of wisdom to share with our readers from presentations we have heard today.

This morning at the International Digital Publishing Forum's Digital Book 2013 Plenary Session, Laura Hazard Owen of paidContent.org interviewed Chantal Restivo-Alessi Chief Digital Officer of HarperCollins in a session titled: Digital Publishing In Transition: Steering a Course in the Middle of A Storm. Restivo-Alessi, who comes to publishing from the music business, noted some differences between the two industries, notably how music is more about selling individual songs rather than albums (not as much of a concern in book publishing). She noted great areas of opportunity in catalog reinvigoration through price promotions, but saw bigger gains to be made in product innovation, both with apps and with enhanced books.

Book Business spent last Sunday hunkered down at Workman Publishing in New York attending… camp. Specifically, Book^2 Camp ("book squared"), an annual pre-TOC "unconference" dedicated to discussing, well, just about anything related to book publishing, but with an eye toward sussing out the future of the industry.

A big task, for sure, but the campers were up to the task, compiling an agenda on the fly, gathering into intimate, round-table discussions—in conference rooms, offices, break rooms and really any otherwise unoccupied space at Workman—about profitbility, discoverability, readers, editors, the Internet, etc. and asking a lot of "what if" questions:

  • What if publishing started today?
  • If there was no money in publishing books, what would book publishing look like?
  • What if digital predated print?

In general, the conversations were focused on possibilities and opportunities, with a pinch of pragmatism thrown in to hold it all togther.

In the interest of trying new things, we're going to present our report using Storify, a platform for turning social media into narratives. It's not new to many of you, but we've never used it before. So here goes nothing. Tell us what you think/

Now that Amazon has announced that it's selling more books in digital form than in print, it's only logical that even the smallest of independent publishing houses are racing to make their entire backlist available as ebooks. Book Business solicited a wide range of advice about the ebook conversion process from digital publishing pros. Here's what they had to say:

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