"A lot of readers have the perception that when something arrives as a book, it's gone through a more rigorous fact-checking process than a magazine or a newspaper or a website, and that's simply not that case," Silverman said. He attributes this in part to the physical nature of a book: Its ink and weight imbue it with a sense of significance unlike that of other mediums.
Fact-checking dates back to the founding of Time in 1923, and has a strong tradition at places like Mother Jones and The New Yorker. But it's becoming less and less common
Entangled Publishing is an independent publisher with a focus on romance titles. Eager to compete with larger, traditional publishers, the indie is exploring new pricing strategies and rethinking the author's role in the publishing house. Below founder Liz Pelletier describes how Entangled melds the best of what self- and traditional publishing has to offer.
How can publishing compete with the allure of the tech companies? Do the tech companies scream "today" - even "tomorrow" - while publishing is still perceived as being stuck in "yesterday?" Does media portrayal of the publishing industry help or hinder? These were among issues raised at the London Book Fair's third 'Tech Tuesday" event last week, held in super cool Hoxton, a very funky area of east London, close to Old Street's "silicon roundabout" where so many app companies are based.
European CEO talks to Maulik Parekh, President and CEO at Philippines-based SPi Global - one of the world's largest and most diversified business process outsourcing services - about how the company is helping clients achieve their goals.
The Multnomah County Library has taken a step further into the digital era, offering patrons a more personal online experience than ever before.
Several weeks ago, the library quietly launched My Librarian, an online tool that lets readers connect with a real-life librarian, without actually visiting a library branch. Instead, readers can build a relationship with one of 13 librarians through video chats, blogs and phone calls to discuss their favorite books.
The program, Library Director Vailey Oehlke said, is the first of its kind in the country.
It is the world's most definitive work on the most global language, but the Oxford English Dictionary may be disappearing from bookshelves forever. Publishers fear the next edition will never appear in print form because its vast size means only an online version will be feasible, and affordable, for scholars.
Last week when I attended the London Book Fair, I sought out sessions that spoke to the technological shifts affecting the industry. Some of best content came from The Digital Hub sessions at the Tech Theater. Ostensibly paid-to-play sessions, they were short but sweet bursts of knowledge that beat out some of the more trudging sessions elsewhere.
Penguin Random House announced the launch of social retail platform "My Independent Bookshop" yesterday. The website, now in beta, allows users to compile their 12 favorite titles to create a virtual bookshop. Authors can participate as well and set up shop with their most recent works. The recommendation engine is linked to major social channels such as Facebook, Google+, and Twitter, allowing bookshop creators to share their favorite works with their friends and family.
Stop carving that gravestone. Brick-and-mortar bookstores aren't dead, yet. On the contrary, independently owned bookstores are growing in number. According to the American Booksellers Association, since hitting a nadir in 2009, the number of indie bookstores in the U.S. has grown 19.3 percent, from 1,651 to 1,971. The current total is less than half the 1990s peak of around 4,000. But it still serves as a rebuke to the conventional wisdom that equates Amazon's relentless rise with the inevitable death of the physical bookstore.
The e-book is not going away - and that's not a bad thing for books.
Ever since the advent of the Kindle, a doomsday cloud has hovered over the world of book publishing, a portent that the rise of the e-book will mean the fall of the print book, and eventually the end of any good literature at all.
Even with recent optimistic forecasts for the future of books, the underlying assumption driving the conversation is still that technology and traditional literary reading are somehow incompatible, different ways of life.