Canon U.S.A. Inc.
An energized Publishing Business Conference and Expo, Book Business and Publishing Executive magazines’ annual event at the Times Square Marriott Marquis, March 19-21, was grounded in optimism and realism, and primed for a promising future in the digital age for book manufacturing and print-based book production.
Addressing the overflow audience at the Marriott's Astor Ballroom, our very own Joan of Arc at the ramparts, Editorial Director Noelle Skodzinski—fully armed with the arguments of comon sense and history to support her—sounded a much-needed balancing and defiant keynote to prevailing “stiff upper lip” scenarios about the decline of the publishing industry. She reminded us, paraphrasing from both Monty Python and the Holy Grail and the Encyclopedia Britannica blog’s notice that it had discontinued its venerable print edition, that publishing is not dead, change is okay, and that the future is alive with new opportunities in our pursuit of continued success and excellence in the publishing business.
While the glitter and flash of ebooks, e-readers and tablets get all the mainstream media attention—and pundits predict the end of printed books—traditional printed volumes still represent enormous opportunity for print providers. According to Caslon & Company, monochrome books will account for up to 85 billion pages through 2016 and color books are expected to make up some 15 billion pages in the same period. Little wonder that savvy print providers are adding capabilities, technology and workflows to carve out a presence in this burgeoning market.
Océ, an international leader in digital document management and delivery, today announces that Océ and its strategic partner manroland are to exhibit together for
On Tuesday, December 14, Book Business will present a free webinar, sponsored by Canon, entitled "Children's Reading Trends in the Digital Age: An All-Access Pass to Scholastic's '2010 Kids and Family Reading Report.'"
Ten years ago, digital, ondemand book printing officially burst upon the scene at Book-Expo America. With IBM’s roll-fed and Xerox’s sheet-fed equipment producing books on the show fl oor in Chicago, Ingram (then Lightning Print) and Bertelsmann (through OPM) invited the industry to get on board while the train was at the station. Since then, Lighting Print has transformed into Lightning Source, a subsidiary of Ingram Industries and the nation’s largest 24/7 book-at-a-time printer. Book and journal manufacturer Edwards Brothers, which had also been operating a one-off DocuTech service for some years before 1998, has expanded its reach and now has seven satellite digital
The right typeface makes elegant prose more pleasing, and striking cover art can stop consumers in their tracks. Nothing new there. Indeed, such traits have always seduced book lovers. But now, thanks to breakthroughs in foil and hologram production, some book covers reflect an ongoing technical revolution. In particular, hologram pioneers are adding a new dimension to the science of making a striking book. But there are pitfalls, as well as thrilling changes, facing those publishers who hope to make use of these technologies. A New Age for Covers Joseph Funicelli, president of Unifoil Corp., Passaic Park, NJ, says that since its introduction to the book market
by Tatyana Sinioukov University of California Press book producers achieve success by attending to the nuances of design and production Since its inception in 1893, University of California Press, Berkeley, CA, has become one of the largest university publishers in the nation, earning recognition for its diverse titles and creative approach to book design. Originally established to distribute the faculty research papers by exchanging them, for free, for papers from other universities, the University of California Press today serves as the university's non- profit publishing arm, creating titles from special editions of the classics to fine art books to historical studies to volumes of