SAN FRANCISCO — December 8, 2016 — Chronicle Books announced today that Jack Jensen, the company’s president, will assume a new, more comprehensive role as President of McEvoy Group LLC. Tyrrell Mahoney is named President of Chronicle Books. Chronicle Books announced today that Jack Jensen is being promoted to assume more comprehensive responsibilities as President…
Fans of reading and a certain galaxy far, far away have reason to rejoice: Star Wars Reads Day, a day-long celebration of literacy and Jedi, Sith, Wookiees, and all things Star Wars, is returning. The second annual Star Wars Reads Day is to be held this October 5, 2013. Last year, 30 authors and 1,500 costumed volunteers participated in over 1,200 Star Wars Reads Day events across North America. On October 5 of this year, Star Wars fans, authors, and artists will again come together in this multi-publisher initiative …
Today Chronicle Books announced that it will publish Paul Laudiero, a first-time author and the grand-prize winner of The Great Tumblr Book Search. Additionally Chronicle and Tumblr are pleased to announce that the contest will be an annual partnership.
The Great Tumblr Book Search kicked off in January and Chronicle received 175 entries in just 45 days. For the past month, editors at both Chronicle and Tumblr read through the proposals. And it was Laudiero’s book idea that caught their eye.
The six major annual book design shows listed above continue to anchor our industry in its traditions of craft, even though painfully unadorned ebooks and cluttered multimedia platforms proceed apace, charting their own course. Whatever the wide range of book show presenting criteria, as shown in the survey that follows, ultimately the purpose of book design is to enhance the readability and message of the book itself.
Print will survive and thrive in those areas where it continues to fulfill that purpose. Where digital media prevail, irrepressible design aspirations will soon follow.
While some shows are beginning to provide digital edition categories (mostly fixed format and multi-media), print editions continue to be foundational platforms for book design and organization — at least for the time being. Leading edge designers are exploring ways to bring design criteria into the reflowable formats.
San Francisco’s counter-culture atmosphere has contributed to the artsy and free-thinking essence of a number of the many publishers located there, giving two of them, Chronicle Books and McSweeney’s, more in common than locale. Both are known for meticulous and original design and packaging. Be it high-quality paper-over-board bindings, embossing or die-cuts, or be it never-before-thought-of content and formats, each keeps innovation at the forefront.
The digital revolution was a huge win for the act of publishing. Content is now everywhere and can be purchased anywhere. But how, in this sea of content, do publishers who invest in the time-honored processes that ensure quality content communicate that? There are many methods to boost content discoverability—many are technical, many are strategic, and all should be tailored to the content and audience in question. The most powerful—and most resilient—method for improving your content's discoverability, however, is to inspire your once-passive audience to actively seek you out.
Active discovery—where customers know to specifically seek out your content—requires branding.
For 36 years, an undaunted Irwin Zucker, himself a public relations professional, has been hosting bi-monthly meetings of the Book Publicists of Southern California, bringing together at each event a hundred or so published authors and authors on the way: to share ideas, display their works, and to learn how to sell more books.
As with IBPA -- which started a few years later as the Publishing Association of Southern California (PASCAL), with then former PW Publisher Dick Bye as President and Jan Nathan as Executive director. It then became PMA and is now IBPA, a 3,000-member strong national organization -- Zucker reveled in the trenches of book publishing outside the mainstream channels. He brought enthusiasm, hope and know-how to equip authors with the tools to work around barriers to entry and, eventually, if they found a strong enough audience, to find their way into the mainstream; or, more often, to stay independent and pocket the proceeds and the glory on their own.
New York, NY (PRWEB) July 25, 2012 Hachette Book Group (HBG), a division of Hachette Livre, the world’s second largest book publisher, today announced the results of a validation audit confirming the company is accurately processing digital sales and providing correct reporting to its authors. The audit, which looked at sales from January 2012, validated Hachette’s systems and processes for managing digital sales received from dozens of eBook retailers and revealed that 100% of the sales have been processed and reported.
Nine of the country's leading independent publishers have taken a bold step, and deserve public recognition for their action. On June 25, they submitted a cogent, twenty-page comment to the court objecting to the Department of Justice's settlement with the three publishers on the grounds that it would "adversely impact competition -- harming independent publishers, authors, booksellers and consumers -- and should be rejected." The case itself would still go forward, unless it is dismissed by the judge or is settled in some way that remains to be devised.