CafePress Inc. (PRSS), The World's Customization Engine, has partnered with publisher Penguin Group (USA) to launch a new online store featuring a curated selection of products showcasing more than 80 years of stories that have sparked young readers' imaginations. Whether it's Corduroy's unplanned adventures, Froggy's continual mishaps or Ladybug Girl's endless imagination, children love todevour anything and everything about their favorite fictional characters.
MyTabletBooks.com, a division of Four Colour Print Group, announces the first eBookstore dedicated to delivering premium quality illustrated eBooks to consumers. While simple fiction and non-fiction books have proven their commercial viability on black and white e-readers like Amazon's Kindle, the market for full-color, heavily designed and illustrated books is still largely untested. MyTabletBooks.com was created specifically as the preferred website where buyers shop for illustrated eBooks, knowing they can depend on the quality of the product.
The concept of offshoring—the practice of sourcing manufacturing or content management services overseas—is no stranger to the book publishing industry. Complex four-color work has long been sent to countries such as Italy and Japan, where the labor-intensive processes of producing art books (hand-stripping, contacting and working with film) were more cost-effective. Today, the same advances in technology that have had such a profound effect on publishing in general over the last 20 years—digital prepress work, real-time tracking of projects through the supply chain and instantaneous sending of digital files, among others—have opened the door to a true global sourcing revolution. “With Mac, Pagemaker,
No region in the world is safe from piracy. That's the conclusion of Patricia Judd, executive director of international copyright enforcement and trade policy at the Association of American Publishers (AAP) in Washington, D.C. "Piracy is a worldwide phenomenon," Judd says. The AAP estimates losses to its members of more than $600 million a year in about 67 markets across the globe. As more book publishers explore their offshore book manufacturing options, foreign book manufacturers are boosting efforts to lure American publishers. It's all in the name of lowering costs. But does this offshore manufacturing activity put publishers at an increased risk of
by Molly Joss Getting into CTP can be a learning experience, as panelists at the BookTech '99 session "CTP Part Two: Economic Issues Roundtable" explained. Session speakers, who shared their experiences in detail, included --Jerry Charlton, director of customer technical services, Quebecor Books, Kingsport, TN --Deborah Jones, senior production manager, McGraw-Hill, School Division, New York City --Craig Yolitz, director, prepress department, the West Group, Eagan, MN --Mark M. Krahforst, manufacturing manager, Rodale Press Overall, panelists described the experience of venturing into CTP as a positive one. As speakers described their experiences, a unifying pattern emerged -- each company had moved slowly into it as
by Tatyana Sinioukov Seybold Seminars program director Thad McIlroy, Arcadia House, highlights key issues of PDF workflows Adobe's Portable Document Format (PDF), the new golden child of the publishing industry, was a hot topic at Seybold in San Francisco in September. As PDF workflows are being implemented in various ways by industry pioneers, many agree that PDF stands a very good chance of becoming the standard for digital workflows in the near future. PDF, says Thad McIlroy, president of the San Francisco-based Arcadia House and program director, Seybold Seminars, will have a profound impact on the efficiency and profitability of workflows. A major advantage