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Last summer, a book retailer on the Lower East Side of Manhattan produced a window display to promote Weekend Utopia, written by noted architectural columnist Alastair Gordon. It was a stunning display—dozens of copies produced a sea of sepia, orange and pastel blue. "How inviting," I thought. This beautifully stylized book by Princeton Architectural Press was not only an instantly successful seller, but laid the foundation for a modernist architectural renaissance. How did this happen? Was it due to the appearance of the book? Not entirely.
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