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"We looked at whether or not [we should use] a double hit of silver or opaque white, and [we] ran four-color tests using all flat colors—white, silver, bronze and black," Collins explains. "The curator was on press with us for almost all the proofs."
Having the Curator
on press is one of the advantages that come with working with an academic client, says Collins, because the client is able to get a full understanding of the project and its vision, rather than having to be persuaded.
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